By Eric_Conklin
Everyone wants to get good violin instruction, but the reality is not everyone has the money to pay for it! The fees can add up. Some teachers charge only 15 or 20 dollars an hour whereas some might ask as much as 50 or 100 per hour for lessons! That can really add up, and if you are just beginning and want somewhere to start that won't drain your wallet, here are some ways of getting around the entire mess altogether with affordable violin instruction.
One way you can get affordable violin instruction is by looking in your local newspaper and classified ads on Craigslist. There are a lot of people looking for someone to teach that have skill and experience, but no one to give violin instruction to and no job currently working in the field! These people often come to the internet or to newspapers looking for someone to help them grow as a teacher. You can post an ad to find some of these people, or you can just respond to one yourself and get yourself someone who might be an untapped source of knowledge and experience when it comes to violin instruction. A lot of times, there are regular folks in the neighborhood who happen to have an extraordinary talent on the violin!
Another way you can go is online video lessons. While it is not quite the same as real life violin instruction, a video lesson can often give you just as much insight into playing the violin as a lesson can. And for the price, it is very difficult to get cheaper violin lessons. For 30 dollars, you can learn from a professional full time violinist and a member of the Manhattan String Quartet. That is truly a privilege to be exposed to the best violin instruction of such an experienced violin teacher!
It really is an opportunity for people who aren't ready to fully commit to private lessons and pay money on an hourly basis to someone when they can just get Eric Lewis's Violin Master Pro and get access to tons of information and violin instruction. The course has changed the ability of a lot of students all around the world, and it doesn't matter where you stand as a student! You can be at a beginner, intermediate, or advanced level on the violin and this course will still help a lot.
Eric Conklin is a violinist and a blogger who specializes in helping new musicians find lessons that help them grow quickly and efficiently. To learn more about an amazing system that will double your results while cutting practice time in half, visit http://www.howtoplayviolinforbeginners.net/ by clicking the link below:
How to Play Violin for Beginners
Article Source: http://EzineArticles.com/?expert=Eric_Conklin
Tuesday, 6 July 2010
Monday, 5 July 2010
Checking the arm length
If your child decides to start playing the volin, it's worth checking what size of instrument he needs. Visit any music shop and ask for advice. My son (Y5) used to play in Y4 using a full size volin, my daughter, on the other hand, needs 1/4 volin and she is in Y2. Both are average height. Smaller children will need smaller violin - try before you buy any instrument.
Thursday, 1 July 2010
Best Violin Intonation Practice Techniques
By Eric_Conklin
Violin intonation takes a long time to get used to and may be frustrating and difficult for a new violinist. While I don't recommend focusing solely on intonation, it is one of the main pillars of good playing ability that no violinist can afford to overlook. No matter how beautifully you play with the right hand, if the left is off pitch, nothing will sound right! So keep this in mind and follow some of these simple violin intonation practice techniques to improve your ability on the instrument.
First off, practice slow scales to improve your intonation. This means taking a normal two or three octave scale and slowing it down with a metronome until you are at 60 beats per minute. This pace will feel grueling, but that's exactly the point! You want to feel like you are analyzing every last note down to the wire and looking at each note through a microscope. Only slow practicing scales will give you an edge on your violin intonation scale work, so do this at least once per practice session.
Next, put yourself next to a recording and practice a piece or a scale you are working on. This violin intonation exercise will force you to measure up to a professional level of intonation with your own abilities and will keep you in line with the way the music is supposed to sound at all times. You may need to stop the recording in order to fine tune your violin intonation, but try to keep up and keep your notes clean as best as possible throughout the entire session.
You can also practice humming and playing. This simple exercise consists of humming the note you are playing while playing it. It forces you to mentally and physically recognize whatever it is your hands are playing and gives you the ability to handle the notes in a much more engaged manner. I recommend doing this with a metronome very slowly because it will be much more difficult to hum while playing than to just play.
If you need more exercises for improving your intonation techniques on the violin, I definitely recommend getting a good teacher in these areas who can help you figure out a solid plan for mastering improvisation. Get a teacher who is experienced in classical violin playing as this area is typically very strong when it comes to violin intonation.
Eric Conklin is a violinist and a blogger who specializes in helping new musicians find lessons that help them grow quickly and efficiently. To learn more about an amazing system that will double your results while cutting practice time in half, visit howtoplayviolinforbeginners.net by clicking the link below:
How to Play Violin for Beginners
Article Source: http://ezinearticles.com/?expert=Eric_Conklin
Violin intonation takes a long time to get used to and may be frustrating and difficult for a new violinist. While I don't recommend focusing solely on intonation, it is one of the main pillars of good playing ability that no violinist can afford to overlook. No matter how beautifully you play with the right hand, if the left is off pitch, nothing will sound right! So keep this in mind and follow some of these simple violin intonation practice techniques to improve your ability on the instrument.
First off, practice slow scales to improve your intonation. This means taking a normal two or three octave scale and slowing it down with a metronome until you are at 60 beats per minute. This pace will feel grueling, but that's exactly the point! You want to feel like you are analyzing every last note down to the wire and looking at each note through a microscope. Only slow practicing scales will give you an edge on your violin intonation scale work, so do this at least once per practice session.
Next, put yourself next to a recording and practice a piece or a scale you are working on. This violin intonation exercise will force you to measure up to a professional level of intonation with your own abilities and will keep you in line with the way the music is supposed to sound at all times. You may need to stop the recording in order to fine tune your violin intonation, but try to keep up and keep your notes clean as best as possible throughout the entire session.
You can also practice humming and playing. This simple exercise consists of humming the note you are playing while playing it. It forces you to mentally and physically recognize whatever it is your hands are playing and gives you the ability to handle the notes in a much more engaged manner. I recommend doing this with a metronome very slowly because it will be much more difficult to hum while playing than to just play.
If you need more exercises for improving your intonation techniques on the violin, I definitely recommend getting a good teacher in these areas who can help you figure out a solid plan for mastering improvisation. Get a teacher who is experienced in classical violin playing as this area is typically very strong when it comes to violin intonation.
Eric Conklin is a violinist and a blogger who specializes in helping new musicians find lessons that help them grow quickly and efficiently. To learn more about an amazing system that will double your results while cutting practice time in half, visit howtoplayviolinforbeginners.net by clicking the link below:
How to Play Violin for Beginners
Article Source: http://ezinearticles.com/?expert=Eric_Conklin
Wednesday, 30 June 2010
Embrace and Extend Suzuki - Simply Violin - The Sing, Play, Learn Songbook
By Sheila Graves
Simply Violin: Sing. Play. Learn. Favorite Songs for Violin in First Position is a new book for beginning violin students. I have been teaching violin and viola for nearly 30 years and am always looking for new ways to inspire and teach my students. It can be difficult to keep today's children interested in learning violin -- especially when they are assigned unfamiliar songs and exercises. Although Suzuki has been considered the Gold Standard almost since Book One for violin first came out in 1978, I have always found the songs to be rather dull. I also think the level of difficulty rises far too quickly. In contrast, Sing. Play. Learn's songs are all intended to be played in first position, and every song can be played with or without using the fourth finger of the left hand.
After using the book for about 6 months, I have had good luck with it. I appreciate that there are 80 songs, more than contained in any other violin book that I can think of. And, yet, the children know most of the tunes and enjoy playing music that they recognize. The parents also are happy to hear recognizable tunes and are more able to help their children to learn them. Plus, the musical editing is very clear, the bowings and articulations well thought out, and there are no page turns within songs.
Another aspect of the book that I like is that it is divided logically into sections that feature fingerings such as first finger low, second finger high, etc., introduced separately. The book also has lyrics for each song. I have found that if a student is having trouble with pitch or rhythm, it can be helpful to sing the song first along with the student, so that he or she can make the connection to the notes and rhythms on the page. Because of its logical division of songs, fingerboard and note reading charts that Suzuki does not have, and arrangement in order of increasing difficulty, I do consider this to be a method book as well as a song book, and, thus, a possible competitor or at least supplement to Suzuki Book One. As an accompaniment book is also available, all of the songs can potentially be used in recitals, another strength.
I have found this to be a very well thought out book and am glad to have it in my teaching studio. However, to name just the few quibbles I do have with the book, I would like to see a page introducing beginning rhythms and possibly also some pictures showing correct bow hold, position for holding the violin, and proper positioning of the feet, as well as other instructional images, as are incorporated in the latest release of Suzuki Book One. However, because the book is unique in the market for beginning violin books, I think it is worth considering despite lacking these items.
I hope this book also comes out for viola, as there are even fewer good song books for viola than for violin.
Sheila Graves
Violin Dealer
Article Source: http://EzineArticles.com/?expert=Sheila_R._Graves
Simply Violin: Sing. Play. Learn. Favorite Songs for Violin in First Position is a new book for beginning violin students. I have been teaching violin and viola for nearly 30 years and am always looking for new ways to inspire and teach my students. It can be difficult to keep today's children interested in learning violin -- especially when they are assigned unfamiliar songs and exercises. Although Suzuki has been considered the Gold Standard almost since Book One for violin first came out in 1978, I have always found the songs to be rather dull. I also think the level of difficulty rises far too quickly. In contrast, Sing. Play. Learn's songs are all intended to be played in first position, and every song can be played with or without using the fourth finger of the left hand.
After using the book for about 6 months, I have had good luck with it. I appreciate that there are 80 songs, more than contained in any other violin book that I can think of. And, yet, the children know most of the tunes and enjoy playing music that they recognize. The parents also are happy to hear recognizable tunes and are more able to help their children to learn them. Plus, the musical editing is very clear, the bowings and articulations well thought out, and there are no page turns within songs.
Another aspect of the book that I like is that it is divided logically into sections that feature fingerings such as first finger low, second finger high, etc., introduced separately. The book also has lyrics for each song. I have found that if a student is having trouble with pitch or rhythm, it can be helpful to sing the song first along with the student, so that he or she can make the connection to the notes and rhythms on the page. Because of its logical division of songs, fingerboard and note reading charts that Suzuki does not have, and arrangement in order of increasing difficulty, I do consider this to be a method book as well as a song book, and, thus, a possible competitor or at least supplement to Suzuki Book One. As an accompaniment book is also available, all of the songs can potentially be used in recitals, another strength.
I have found this to be a very well thought out book and am glad to have it in my teaching studio. However, to name just the few quibbles I do have with the book, I would like to see a page introducing beginning rhythms and possibly also some pictures showing correct bow hold, position for holding the violin, and proper positioning of the feet, as well as other instructional images, as are incorporated in the latest release of Suzuki Book One. However, because the book is unique in the market for beginning violin books, I think it is worth considering despite lacking these items.
I hope this book also comes out for viola, as there are even fewer good song books for viola than for violin.
Sheila Graves
Violin Dealer
Article Source: http://EzineArticles.com/?expert=Sheila_R._Graves
Tuesday, 29 June 2010
Violin Instructions - Tips For Finding Effective Violin Instructions Online
By Darron_Lombardo
The ability to go online and find effective violin instruction from some of the top violinists in the world is one of the biggest luxuries of modern technology. It used to be that only the privileged had access to the world's finest violin masters and only children with parents who could afford music school or private lessons had the opportunity to learn to play the violin at all.
Today, all that has changed with the prominent offering of online violin instruction programs. The following tips will help guide you through this market so you select the most effective program.
Instruction Medium
The first thing you have to look at when considering a program for online violin instruction is what medium the lessons are delivered through. Obviously, reading an e Book is not going to get you very far. You need to actually be able to see your instructor's face and hear their words in order to get the most out of violin instruction. You also need to actually hear them play the music you are trying to learn.
The only way to have this type of interaction with online violin instruction is to find a program that uses online video stream and mp3 files to deliver the actual lessons. These programs may also offer some written material to help you along, but without the actual videos and mp3 files you aren't going to learn very much.
Instructor Quality
Once you find programs that offer videos and mp3 file lessons, you have to look into the background of the instructor actually delivering that violin instruction. If you just go with the cheapest program available you will be kicking yourself later on when you realize that some of the best programs are now being taught by professional violinists with years of professional working experience as a violinist.
Get the full name of the instructor offering your online violin instruction and see what type of experience they have. Try to find a way to listen to some of the music that instructor has performed, which should be quite easy to do if they have performed in professional groups or in any type of professional aspect in the music industry.
Guarantees/Claims
Once you find online violin instruction that features videos and mp3 files by a professional with proven experience, check into the guarantee and all claims being presented along with the program. If there is a way to get your money back if you aren't satisfied then you have more security in purchasing the program.
You should also look into what types of claims are being made by the program to determine if it was designed for someone of your skill level or age. For instance, some programs may not be very suitable to children while others start at an intermediate level rather than a beginner level.
There is no longer an excuse for putting your violin lessons on hold! It doesn't matter how old you are or how limited your budget may be. If you have the desire to learn the violin and are willing to free up a bit of time for online violin instruction and some practice, you can learn from the best violin masters in the world. Check out sites like http://www.violinmasterpro.info/ to find out more about the amazing opportunity to learn the violin online in your free time!
Article Source: http://ezinearticles.com/?expert=Darron_Lombardo
The ability to go online and find effective violin instruction from some of the top violinists in the world is one of the biggest luxuries of modern technology. It used to be that only the privileged had access to the world's finest violin masters and only children with parents who could afford music school or private lessons had the opportunity to learn to play the violin at all.
Today, all that has changed with the prominent offering of online violin instruction programs. The following tips will help guide you through this market so you select the most effective program.
Instruction Medium
The first thing you have to look at when considering a program for online violin instruction is what medium the lessons are delivered through. Obviously, reading an e Book is not going to get you very far. You need to actually be able to see your instructor's face and hear their words in order to get the most out of violin instruction. You also need to actually hear them play the music you are trying to learn.
The only way to have this type of interaction with online violin instruction is to find a program that uses online video stream and mp3 files to deliver the actual lessons. These programs may also offer some written material to help you along, but without the actual videos and mp3 files you aren't going to learn very much.
Instructor Quality
Once you find programs that offer videos and mp3 file lessons, you have to look into the background of the instructor actually delivering that violin instruction. If you just go with the cheapest program available you will be kicking yourself later on when you realize that some of the best programs are now being taught by professional violinists with years of professional working experience as a violinist.
Get the full name of the instructor offering your online violin instruction and see what type of experience they have. Try to find a way to listen to some of the music that instructor has performed, which should be quite easy to do if they have performed in professional groups or in any type of professional aspect in the music industry.
Guarantees/Claims
Once you find online violin instruction that features videos and mp3 files by a professional with proven experience, check into the guarantee and all claims being presented along with the program. If there is a way to get your money back if you aren't satisfied then you have more security in purchasing the program.
You should also look into what types of claims are being made by the program to determine if it was designed for someone of your skill level or age. For instance, some programs may not be very suitable to children while others start at an intermediate level rather than a beginner level.
There is no longer an excuse for putting your violin lessons on hold! It doesn't matter how old you are or how limited your budget may be. If you have the desire to learn the violin and are willing to free up a bit of time for online violin instruction and some practice, you can learn from the best violin masters in the world. Check out sites like http://www.violinmasterpro.info/ to find out more about the amazing opportunity to learn the violin online in your free time!
Article Source: http://ezinearticles.com/?expert=Darron_Lombardo
Monday, 28 June 2010
How to Play Violin Ricochet
By Eric_Conklin
Violin ricochet is a delicate technique that requires timing, skill and attention to detail. Overall it's not something I recommend beginners learn as it can complicate your bow skills by introducing it to a player too soon and not allowing them time to adjust to the basics. However, if you are interested in learning how to properly play the violin with ricochet technique, here are a couple of basic pointers you need to keep in mind when it comes to playing violin ricochet.
To begin, you need to master your confidence of coordination between the pinky and the thumb on the right hand. You should always think of these two as a lever and fulcrum between each other and should make the violin bow move independently and unconsciously together when playing violin ricochet. To practice this sensation, try taking the bow in your hands with only the pinky and the thumb, relieving the three fingers in between. Now hold the bow parallel to the ground, then turn it upwards using only your pinky to press down until it runs vertical. Then lower it by pulling it back down with the weight of the thumb.
On to the next exercise! Basically to play violin ricochet you need confidence in your pinky and thumb position, then you need confidence bouncing off the string. Once you have those two combined, you should be able to play a ricochet stroke. So next, we are going to practice striking the string with the same motion used by the bow before, but without bouncing it. So grip the bow just as you did in the previous exercise, raise it up, then strike the string. Don't bounce! Rather, just allow the string to hit the bow and the weight of the string to dig in using only the pinky and thumb, the repeat.
Finally, to practice full ricochet technique, place all your fingers on the bow so you have a sufficient amount of weight to draw the bow with. Draw a normal upbow, then release the bow at the top and strike the string with it allowing it to bounce as you pull the bow downwards on the string. The combined striking of the bow plus downward pulling into the string will produce the desired ricochet effect and will allow the bow to bounce along the string like a rock skipping across water! Practice this until you have the violin ricochet technique down.
Eric Conklin is a violinist and a blogger who specializes in helping new musicians find lessons that help them grow quickly and efficiently. To learn more about an amazing system that will double your results while cutting practice time in half, visit http://www.howtoplayviolinforbeginners.net/ by clicking the link below:
How to Play Violin for Beginners
Article Source: http://EzineArticles.com/?expert=Eric_Conklin
Violin ricochet is a delicate technique that requires timing, skill and attention to detail. Overall it's not something I recommend beginners learn as it can complicate your bow skills by introducing it to a player too soon and not allowing them time to adjust to the basics. However, if you are interested in learning how to properly play the violin with ricochet technique, here are a couple of basic pointers you need to keep in mind when it comes to playing violin ricochet.
To begin, you need to master your confidence of coordination between the pinky and the thumb on the right hand. You should always think of these two as a lever and fulcrum between each other and should make the violin bow move independently and unconsciously together when playing violin ricochet. To practice this sensation, try taking the bow in your hands with only the pinky and the thumb, relieving the three fingers in between. Now hold the bow parallel to the ground, then turn it upwards using only your pinky to press down until it runs vertical. Then lower it by pulling it back down with the weight of the thumb.
On to the next exercise! Basically to play violin ricochet you need confidence in your pinky and thumb position, then you need confidence bouncing off the string. Once you have those two combined, you should be able to play a ricochet stroke. So next, we are going to practice striking the string with the same motion used by the bow before, but without bouncing it. So grip the bow just as you did in the previous exercise, raise it up, then strike the string. Don't bounce! Rather, just allow the string to hit the bow and the weight of the string to dig in using only the pinky and thumb, the repeat.
Finally, to practice full ricochet technique, place all your fingers on the bow so you have a sufficient amount of weight to draw the bow with. Draw a normal upbow, then release the bow at the top and strike the string with it allowing it to bounce as you pull the bow downwards on the string. The combined striking of the bow plus downward pulling into the string will produce the desired ricochet effect and will allow the bow to bounce along the string like a rock skipping across water! Practice this until you have the violin ricochet technique down.
Eric Conklin is a violinist and a blogger who specializes in helping new musicians find lessons that help them grow quickly and efficiently. To learn more about an amazing system that will double your results while cutting practice time in half, visit http://www.howtoplayviolinforbeginners.net/ by clicking the link below:
How to Play Violin for Beginners
Article Source: http://EzineArticles.com/?expert=Eric_Conklin
Sunday, 27 June 2010
Violin Basics - Instrument Care - The Strings, the Bow and Other Basics of Violin
Congratulations on acquiring a violin! Maybe you're a youngster who has dreamed of playing in the youth orchestra or a grownup who wants to sound like a Dixie Chick. Taking lessons on your own, going at your own pace and choosing the music you love is fun and easier than you think. But you've got to learn violin basics-otherwise, you'll sound more like a Dixie Dingaling!
* Always use the case! Your violin is a delicate instrument. Whenever you're done with it, put it away.
* Don't put it behind a door where it's likely to get jarred or banged up.
* If you're driving somewhere, don't put it in the trunk. Place it on the back seat.
* Don't leave it in your car when you're not there. The heat that builds up in the car can melt the glue used in the violin construction or warp the wood.
* The same violin basics should teach you not to leave it in a garage or attic during cold weather, either!
* And you most certainly shouldn't store it in a damp basement.
Violins are available in so many brands and for a very wide variety of prices! It's sad but true that you get what you pay for, and if you don't spend several hundred dollars you are just getting a pretty box with strings on it. You can, however, convince most retailers to give you a deep discount from the retail prices displayed in the store. Expect to pay a minimum of $350 for a beginner's violin at the discounted price.
Violin basics start with your strings. You can choose from gut, synthetic, or steel strings. The steel-core and gut-core strings were used for years; nylon strings were not developed until the Seventies. No matter type you prefer, they all come in price ranges from $25 to over $100.
Over a century ago, just about all violin strings were made from sheep or lamb intestines. Today, thankfully for the squeamish among us, most gut-type strings are actually gut-core, with the string of gut wrapped in aluminum or silver-plated copper. They are suppler, but they also tend to go out of tune faster in warm weather. There are still musicians who use pure gut strings, but they are performers of neoclassic music striving to recreate the sounds of yesteryear.
In the late 1800s, steel strings were developed. Today's versions have a core of steel wrapped by some finer metal, usually chrome, titanium, tungsten, silver, or a plated metal. They do not render the complex sounds of the gut-core strings, but they do hold their tune better.
By the 1970s, manufacturers came up with strings made from perlon, a type of nylon. These strings supposedly sounded more like gut-core but maintained pitch as well as steel-core. Many brands of synthetic strings can be broken in faster than the other types, and they hold their tune as well as the steel strings.
What about your bow? Is horsehair really used? The answer in most cases is yes. There are synthetic-hair bows, but most bows are strung with 150 hairs, generally from Mongolian horses. As you get to know more musicians, you'll hear them talking about using black horsehair to get a better jazz sound, or white hair for symphonic use, using more or less rosin, and so forth.
The screw on the end of the bow will tighten the hair. To play, the hair should have a light bounce to it. You can loosen the screw slightly when you replace the bow in its case. Don't forget the rosin when you're ready to play; if the violin emits a squeaky or scratchy sound, put down the rosin and just play. If you notice a broken hair on your bow, use a nail clipper to clip it off as neatly as possible without affecting the other hairs. You should never touch the hair because it's really fragile, and you also don't want the natural oils on your fingertips to rub off.
As you venture beyond violin basics, look for advice and demonstrations on YouTube or from experts such as http://www.violinmasterpro.info to show you more about handling and taking care of your violin. If you are serious about violin, check out this site http://www.violinmasterpro.info/.
Article Source: http://ezinearticles.com/?expert=Darron_Lombardo
* Always use the case! Your violin is a delicate instrument. Whenever you're done with it, put it away.
* Don't put it behind a door where it's likely to get jarred or banged up.
* If you're driving somewhere, don't put it in the trunk. Place it on the back seat.
* Don't leave it in your car when you're not there. The heat that builds up in the car can melt the glue used in the violin construction or warp the wood.
* The same violin basics should teach you not to leave it in a garage or attic during cold weather, either!
* And you most certainly shouldn't store it in a damp basement.
Violins are available in so many brands and for a very wide variety of prices! It's sad but true that you get what you pay for, and if you don't spend several hundred dollars you are just getting a pretty box with strings on it. You can, however, convince most retailers to give you a deep discount from the retail prices displayed in the store. Expect to pay a minimum of $350 for a beginner's violin at the discounted price.
Violin basics start with your strings. You can choose from gut, synthetic, or steel strings. The steel-core and gut-core strings were used for years; nylon strings were not developed until the Seventies. No matter type you prefer, they all come in price ranges from $25 to over $100.
Over a century ago, just about all violin strings were made from sheep or lamb intestines. Today, thankfully for the squeamish among us, most gut-type strings are actually gut-core, with the string of gut wrapped in aluminum or silver-plated copper. They are suppler, but they also tend to go out of tune faster in warm weather. There are still musicians who use pure gut strings, but they are performers of neoclassic music striving to recreate the sounds of yesteryear.
In the late 1800s, steel strings were developed. Today's versions have a core of steel wrapped by some finer metal, usually chrome, titanium, tungsten, silver, or a plated metal. They do not render the complex sounds of the gut-core strings, but they do hold their tune better.
By the 1970s, manufacturers came up with strings made from perlon, a type of nylon. These strings supposedly sounded more like gut-core but maintained pitch as well as steel-core. Many brands of synthetic strings can be broken in faster than the other types, and they hold their tune as well as the steel strings.
What about your bow? Is horsehair really used? The answer in most cases is yes. There are synthetic-hair bows, but most bows are strung with 150 hairs, generally from Mongolian horses. As you get to know more musicians, you'll hear them talking about using black horsehair to get a better jazz sound, or white hair for symphonic use, using more or less rosin, and so forth.
The screw on the end of the bow will tighten the hair. To play, the hair should have a light bounce to it. You can loosen the screw slightly when you replace the bow in its case. Don't forget the rosin when you're ready to play; if the violin emits a squeaky or scratchy sound, put down the rosin and just play. If you notice a broken hair on your bow, use a nail clipper to clip it off as neatly as possible without affecting the other hairs. You should never touch the hair because it's really fragile, and you also don't want the natural oils on your fingertips to rub off.
As you venture beyond violin basics, look for advice and demonstrations on YouTube or from experts such as http://www.violinmasterpro.info to show you more about handling and taking care of your violin. If you are serious about violin, check out this site http://www.violinmasterpro.info/.
Article Source: http://ezinearticles.com/?expert=Darron_Lombardo
Subscribe to:
Posts (Atom)
